LS
5653-20
Genre
3 Review
Shannon
Hicks
The
Poet X
Bibliography
Acevedo, Elizabeth. The Poet X. HarperCollins, 2018. ISBN 978-0-06-266281-1
Plot Summary
Xiomara Batista
is a high school sophomore looking for her independence and voice as she writes
poetry. Her strict, Dominican mother believes Xiomara should be a dutiful,
Catholic daughter who should not interact with boys. One of her passions is
writing poetry so when she is invited to join the “Spoken Word Poetry Club” at
school, she skips Confirmation class and hides her participation. As Xiomara
begins dating, hiding from church, and understanding her relationship with her
twin brother, she writes her thoughts in her leather journal. Things begin to
unravel when Mami finds her poetry journal and confronts Xiomara.
Critical
Analysis
Xiomara is of
Dominican heritage and the cultural expectations are many for her. Mami has two
rules for Xiomara: she cannot date and cannot have relations, at least until
she is married. Her mother speaks more Spanish than English and tries to make
Xiomara conform to her ideals.
Xiomara lives
up to her name, which means “one who is ready for war” p.7 and realizes it is
not a Dominican name when she looks it up. It is one that is difficult for
others to pronounce until she sounds it out for them, “See-oh-MAH-ruh” which irritates
her because it is embarrassing and awkward. Xiomara describes herself as
“unhide-able” since she is taller than her father, with “D-cups and swinging
hips” p. 5 and “tight curls that spring like fireworks…a full mouth…[with]
lashes that are too long” p. 48. She feels she is a mix of Dominican and the
Greek monster, Medusa.
Interlingualism
is sprinkled throughout the story allowing the story’s context to help with
meaning. “La niña de la casa” p. 42 is one example and allows the reader to
infer that Xiomara is to help with housecleaning. Xiomara dusts around the
altar to La Virgen María, where
her mother is often found praying and where Xiomara is forced to kneel in rice
and beg la Santa María for forgiveness when she is caught kissing a boy.
Xiomara offers
quick glimpses into the Dominican culture, particularly with Noche Buena when
she explains that her Mami does not buy a tree but rather buys poinsettias with
which to decorate. She regals tales of Latinos celebrating the night before
Christmas and eating coquito laced with rum and attending midnight Mass.
Review
Excerpts
Kirkus: “Poetry
helps first-generation Dominican-American teen Xiomara Batista come into her
own. Fifteen-year old Xiomara ("See-oh-MAH-ruh," as she constantly
instructs teachers on the first day of school) is used to standing out: she's
tall with "a little too much body for a young girl." Street harassed
by both boys and grown men and just plain harassed by girls, she copes with her
fists. In this novel in verse, Acevedo examines the toxicity of the
"strong black woman" trope, highlighting the ways Xiomara's seeming
unbreakability doesn't allow space for her humanity.”
“The Poet X.” Kirkus Reviews, January 2018. Novelist,
EBSCOhost (accessed October 1, 2020).
Publisher’s Weekly: “Acevedo’s free verse gives Xiomara’s
coming-of-age story an undeniable pull, its emotionally charged bluntness
reflecting her determination and strength. At its heart, this is a complex and
sometimes painful exploration of love in its many forms, with Xiomara’s growing
love for herself reigning supreme.”
“The Poet X.” Publisher’s Weekly, January 2018. Novelist,
EBSCOhost (accessed October 1, 2020).
Awards
·
Pura Belpré Award – winner 2019
·
Américas Award – honor 2019
·
Odyssey Award – honor 2019
·
Lambda Literacy Award – finalist 2019
·
Michael L. Printz Award – winner 2019
·
Notable Children’s Book – commended 2019
·
Amelia Elizabeth Walden Award – winner 2019
·
Indies Choice Book Awards – winner 2019
·
CCBC Choices – selection 2019
·
Walter Dean Myers Award for Outstanding
Children’s Literature – winner 2019
·
Carnegie Medal – winner 2019
·
Golden Kites Award – honor 2019
·
National Book Award for Young People Literature –
winner 2018
·
Junior Library Guild – selection 2018
·
Boston Globe-Horn Book Award – winner 2018
·
SLJ Best Books for the Year – selection 2018
·
Fanfare – selection 2018
·
Kirkus Prize for Young Readers’ Literature –
finalist 2018
Connections:
·
Attend,
host or view a Slam Poetry event.
·
Use
Padlet to allow students to add their favorite poems.
· Read Gabi, A Girl in Pieces by Isabel Quintero or Yaqui Delgado Wants to Kick Your Ass by Meg Medina
Enchanted Air
Bibliography
Engle, Margarita. Enchanted Air. Simon & Schuster,
2015. ISBN 978-1-4814-3523-9
Plot Summary
This memoir is
told in verse. Margarita splits her childhood between California and Cuba and
feels as if she has two selves, one in each country. She is most herself and at
home in Cuba, while in California she is lonely and waits for the moment she
can fly to her mother’s homeland. As news of a revolution begins in Cuba,
Margarita is worried about her family overseas and equally concerned that she
may never be able to return to the island.
Critical
Analysis cultural markers pertinent to each culture
The island is
lush, filled with salt air, bird songs and farmland. In Cuba, Margarita
describes her grandmother’s house with “cool ceramic floor tiles on a hot day,
and an open-air kitchen with roll-up walls…the old women in rocking chairs” p.
10. In the “centuries-old house, each floor-to-ceiling window is truly an
opening—no glass” p. 97. Her abuelita lights La Virgen de la Caridad del
Cobre in the house whenever one needs prayer. Engle’s description of the
setting showcases the unique Cuban landscape.
Margarita’s
American father’s side of the family tells family stories that are “brief and
vague” while her mother “tells her flowery tales of Cuba” p. 28. She determines
that the length of a story is dependent on immigration verses escape. Her Cuban
mother is so homesick that she listens to Cuban music, sings in Spanish, tells
stories about Cuba and sews tropical dresses for herself and her daughters. As the
conflicts rages on, Margarita’s “Mami turns into Mom, change before my very
eyes…to this strange, in-between nations exile” p.124.
In school,
Margarita senses that both teachers and students are angered by Cuba and ask
her, “what are you?” She feels conflicted and frustrated that she needs to
explain she is both American and Cuban with paternal grandparents from the
Ukraine. The teacher bends down to her level and says, “we were like Santa
Claus on that poor little island…such ingratitude” p. 43 which leaves her
feeling guilty and confused.
Review
Excerpts
School Library Journal: “And while the narrative
unfolds over 50 years ago, Engle's experiences will still resonate with
adolescents and teens today. Any child who has felt like an outsider will
recognize themselves in Margarita's tale. When the Cuban Missile Crisis ended
and everyone's focus shifted, the author was left confused, empty and
unfulfilled by her school's seemingly senseless focus on what felt like
irrelevant historical events. What American child with ties to a country
experiencing turmoil couldn't relate to the lingering after-effects of far off
events in our era of two-minute news bytes?”
“Enchanted Air.” School Library Journal 61.5 (2015):
138. Novelist, EBSCOhost, (accessed October 2, 2020).
Kirkus: “Woven into the fabric of her childhood is the
anxiety of deteriorating relations between the two countries as the Cuban
revolution takes place, affecting both her family and the two countries at
large. This is also the time when Engle discovers books and her own poetry as
safe places to retreat to. Though it is a very personal story, it is also one
that touches on issues affecting so many immigrants, as when she wonders:
"Is there any way that two people / from faraway places / can ever really
/ understand each other's / daydreams?" As so many of our children are
immigrants or children of immigrants, we need more of these stories, especially
when they are as beautifully told as this one.”
“Enchanted Air.” Kirkus Reviews, May 2015. Novelist,
EBSCOhost, (accessed October 2, 2020).
Awards
·
Américas Award – commended 2016
·
Lee Bennett Hopkins Award – winner 2016
·
Walter Dean Myers Award for Outstanding
Children’s Literature – honor 2016
·
YALSA Nonfiction Award – finalist 2016
·
Pura Belpré Award – winner 2016
·
Notable
Children’s Books – commended 2016
·
Skipping
Stones Honor Awards – 2016
·
Notable Social Studies Trade Books for Young People - 2016
·
CCBC
Choices – honor 2016
·
Golden
Kite Awards – Nonfiction winner 2016
·
Junior
Library Guild Selections – middle selection 2015
Connections
·
Locate
Cuba on a map. List things the students already know (or think they know) about
Cuba. Add to the list when the class has finished the novel.
·
Work
with the social studies department and use the novel as a supplement to a
lesson about the Cuban Missile Crisis.
· Invite a Cuban immigrant to speak to the class about Cuba and their personal experience.
Yaqui Delgado Wants to Kick Your Ass
Yaqui Delgado Wants to Kick Your Ass
Bibliography
Medina,
Meg. Yaqui Delgado Wants to Kick Your Ass. Candlewick Press, 2013. ISBN 978-0-7636-7164-8
Plot Summary
After Piddy’s
mother falls through the crumbling lobby stairs in their New York City
apartment, Piddy and her mother move to a rental house. This move means that
Piddy must attend a different high school in a rougher area of town. Five weeks
into the school year, rumors start that Yaqui Delgado wants to kick Piddy’s
ass. Piddy has no idea what she has done or who Yaqui Delgado really is. As
Piddy tries to keep herself safe and the bullying she endures a secret, the
“real” Piddy begins to disappear as she tries to fit into a different persona.
Critical
Analysis
In the first
pages of Yaqui Delgado Wants to Kick Your Ass readers learn that Yaqui thinks the new girl, Piddy, is
arrogant and shakes her bottom for attention so she wants to beat her up. Piddy
reveals that she’s only had “an ass for about six months” and only recently got
her curves. She chalks her ample backside to all the merengue dancing to Héctor
Lavoe records.
Latina
women are the focal point of the novel. Piddy mother is a Cuban immigrant,
while Piddy herself is half Cuban and half Dominican, and her best friend and
surrogate aunt are also Latinas. The two male characters are secondary. Piddy
has a strong group of females surrounding her and who only want the best for
her, even if they show it in different ways.
Interlingualism
is throughout the novel which adds to the authentic Latinx theme of the story
without taking over. Spanish words like, cuerpo, mi vida, así, and hasta
aqui allow an English reader to interpret the meaning of the words without
needing a glossary or interrupting the flow of the book.
Salón
Corazón is where Piddy’s mom’s best friend, Lila works and Piddy sweeps. The
Salón is the Latina gossip center where Piddy hears rumors about her father,
Lila spots Yaqui’s gang and, ultimately where Piddy shares the bullying she has
endured. The Salón is a safe spot for Piddy and where she gains support from
the Latina women in her community, so it is only fitting that she reveals her
pain to her mother here.
Review
Excerpts
Booklist: “Medina authentically portrays the emotional rigors of bullying through
Piddy’s growing sense of claustrophobic dread, and even with no shortage of
loving, supportive adults on her side, there’s no easy solution. With issues of
ethnic identity, class conflict, body image, and domestic violence, this could
have been an overstuffed problem novel; instead, it transcends with heartfelt,
truthful writing that treats the complicated roots of bullying with respect.”
“Yaqui Delgado Wants to Kick Your Ass.” Booklist 109.16
(2013): 59. Novelist, EBSCOhost, (accessed October 3, 2020).
School
Library Journal: “The Latino cultural milieu adds a richness
and texture that lifts this up above many problem novels. The plot points are
dexterously intertwined, and the characters are distinct. A real bonus for
those looking for a bullying book for older readers that is not simplistic.”
“Yaqui Delgado Wants to Kick Your Ass.” School Library
Journal 59.4 (2013): 168. Novelist, EBSCOhost, (accessed October 3,
2020).
Awards
·
Pura Belpré Award – winner 2014
·
Américas Award – commended 2014
·
Quick Picks for Reluctant Young Adult Readers –
commended 2014
·
Notable Children’s Book – commended 2014
·
CCBC Choices – selection 2014
·
Junior Library Guild Selection – 2013
·
SLJ Best Books of the Year - 2013
Connections
·
Read
the National Book Award Winner, Jumped by Rita Williams-Garcia or The
Education of Margot Sanchez by Lilliam Rivera.
·
Watch
an interview with the author as she discusses her personal inspiration for the
novel. https://www.youtube.com/watch?v=S-zWeWYy-gs
·
Use
the Teaching Tolerance lesson “Where We Stand” with students. They will
read different scenarios and examine how they would respond to ethical dilemmas.
https://www.tolerance.org/classroom-resources/tolerance-lessons/where-we-stand
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