Saturday, December 5, 2020

Culture 6 Inclusive Literature


LS 5653-20

Genre 6 Inclusive Lit

Shannon Hicks 











Darius the Great is Not Okay

 

Bibliography

Khorram, Adib. Darius the Great is Not Okay. Dial Books, 2018. ISBN 978-0-525-55296-3

Plot Summary

Darius is a teen who enjoys tea and spending time with his little sister, so he struggles to fit in to the typical high school crowd. His mother is Persian, and his father is not; he shares very little with his dad except the struggles of mental health and a common interest in Star Trek. When Darius’ Babou is diagnosed with a terminal brain tumor, his family travels to Iran to visit. Darius experiences a totally different world in his mother’s homeland; one with family, a new friend, and celebrations unlike anything he’s experienced in the states. While he tries to understand his bouts of depression and loneliness, he finds acceptance in Sohrab, his new Iranian soccer friend. Darius is a likeable teen with whom many readers will relate.

Critical Analysis

 Darius the Great is Not Okay opensto Darius describing his Persian makeup on his mother’s side. He works in a tea shop and believes Persians are “genetically predisposed to like tea” (p. 2). Throughout the story, Darius references tea; in the present he brings to his grandmother, to sipping tea with his grandfather and the lessons he receives on the correct way to brew Persian tea. These instances allow the reader to experience tea in different ways, while also connecting the important beverage to his ethnicity.

Darius also struggles with his mother’s native tongue, Farsi. His younger sister is fluent and yet Darius’ mother did not speak to him in Farsi, so he has not had the opportunity to learn it. Short phrases in Farsi are provided, which lend itself to credibility in authentic writing. After Darius’s sister uses a Farsi phrase for “how are you?” he explains that “chetori toh” would only be used for those people with whom one has a close relationship. “Farsi has different ways of talking to people, depending on the formality of the situation and your relationship to the person you’re addressing” (p. 20). Darius explains that his knowledge of Farsi consists of familial relations, food, tea and politeness phrases. He even discusses the holidays Chaharshanbeh Suri and Nowruz and the types of Persian foods served.

Darius often feels like the outsider in his own family. He does not speak Farsi, he feels he disappoints his father frequently, and begins to explore romantic feelings for his new friend, Sohrab. While in Iran, surrounded by family and accepted by Sohrab, Darius feels a bit braver and is able to build confidence to be true to himself.

Review Excerpts

“Debut author Khorram presents meticulous descriptions and explanations of food, geography, religion, architecture, and English translations of Farsi for readers unfamiliar with Persian culture through characters' dialogue and Darius's observations.”  

Darius the Great is Not Okay.” School Library Journal 64.8 (2018): 73. Novelist, EBSCOhost, (accessed December 1, 2020).

 “While the book doesn’t sugarcoat problems in the country (unjust imprisonment and an outdated view of mental illness are mentioned), it mainly stays focused on the positive—Iran’s impressive landscape and mouthwatering food, the warmth of its people—as it shows how a boy who feels like an outcast at home finds himself and true friendship overseas.”

Darius the Great is Not Okay.” Publisher’s Weekly 265.23 (2018): 15. Novelist, EBSCOhost, (accessed December 1, 2020).

 Awards

·        Boston Globe-Horn Book Awards – honor 2019

·        Rainbow List: Top Ten GLBTQ Books for Children and Teens – commended 2019

·        William C. Morris Debut Award – winner 2019

·        Lambda Literary Award – finalist 2019

·        Asian/Pacific American Award for Literature – winner 2019

·        Amelia Elizabeth Walden Award – finalist 2019

·        Indies Choice Book Awards – honor 2019

·        CCBC Choices selection – 2019

·        Middle East Book Award – winner 2019

·        Junior Library Guild Young Adult Selection - 2018

 

Connections

·        Read Patron Saints of Nothing by Randy Ribay.

·        Collaborate with the history teacher to study Iran’s geography, culture and religions.

·        Read the newest release, Darius the Great Deserves Better, the sequel to the novel.

·        Working with the guidance department, discuss depression, the signs and treatments.









 

Pet


Bibliography

Emezi, Akwaeke. Pet. Make Me a World, 2019. ISBN 978-0-525-64707-2

Plot Summary

The town of Lucille is without monsters, they were eliminated years ago, or so they believe. Jam’s mother is an artist and after working on a particular piece of art for weeks, Jam sneaks in the room to look at the canvas. As she peers over it, she cuts her hand and bleeds on the painting, which brings it to life. Pet emerges with horns and claws and warns Jam that it is hunting a monster; one that can be found inside her best friend Redemption’s house. Jam must decide if she will join in the hunt and if she should warn her friend of the potential danger in his house.

Critical Analysis

I want to know more about Jam’s mother and why she included the razor blades into the canvas. It was stated that this was not the first painting of hers to come alive, so she must have understood the dangers of inserting a dangerous object into her work. And while the forward to Pet was intriguing, I thought the story tried too hard to include too many elements (elective mute, sign language, Igbo phrases, gender identification, sexual abuse, and prison reform) all within in a middle grade selection novel.

At times, Jam uses sign language to communicate. While walking with her friend Redemption, Jam expresses her frustration and “her hands were a blur as she signed” (p.4). Although when she wishes to communicate with the librarian, she uses a notecard to write her thoughts and slides it to him. He replies on the same card and hands it back to her. Jam is glad that they do not have to speak with one another.

Aloe is Jam’s father and is the one who realized Jam’s frustration at being called a boy when she identified as a girl. Aloe held Jam tightly while her temper flared, saying, “ewela iwe” (don’t be angry). Shortly after this outburst, Aloe researched puberty blockers and hormones. Her parents were supportive of her reveal, Bitter even teaching her how to conduct breast exams and fertility options. When Jam approaches her father about surgery, he tells her she is a girl with or without surgery. Jam’s parents love and accept her while also allowing her to take the lead in her bodily decisions.  

Redemption is a kind and loyal friend. Jam is distraught at the thought of a monster living in Redemption’s house. While Redemption was a trained boxer, he fought for “the beauty of what his body could do, for the frailty of being human…it wasn’t personal; it wasn’t about his ego. It was about being alive” (p. 56). It is not until toward the end of the novel that Redemption wants to use his fists to hurt, to injure, and to protect his little brother, perhaps bringing out the monster that may live inside all of us.

Subtle descriptions are given describing Jam. Her hair can be twisted into styles, she uses shea butter on dry patches, the moment she realizes her hips are widening and her chest is beginning to develop. While it can be inferred that Jam may be of African American descent, it is not definitive.

Parts of the story are thoughtful and make the reader examine their own thoughts about good verses evil, monsters and villains, and how real darkness can be hidden. The angels who tried to rid Lucille of monsters did so by believing the victims, counseling and giving rehabilitation to the monsters. It was a tough process of pulling back the covers of evil and seeing the true number of monsters in the town, “…the public ones, the freestyle solitary ones, the charismatic smiling ones” (p. 79). Monsters were not necessarily the ones similar to Pet with unsightly horns, blood and scabs, but neighbors and loved ones and those in positions of power who sometimes abused others. Pet explains to Jam that “the truth does not change whether it is seen or unseen…a thing that is happening happens whether you look at it or not” (p. 95) so Jam is forced to realize that Redemption’s brother is being abused by someone in Redemption’s family, someone that is a trusted adult to Jam. Whether she chooses to acknowledge it or not, it is still occurring. In the end, Jam asks that Hibiscus not be killed for his monstrous ways, “I know I can’t stop you if you don’t want to stop. But the town will learn nothing this way, the families will learn nothing. They’ll keep pretending all the monsters are gone; they won’t remember to look for them. They might not believe us” (p. 185). Jam has come to the conclusion that alludes many adults; that fear and monsters must be confronted head on.

Review Excerpts

“Jam’s language is alternatingly voiced and signed, the latter conveyed in italic text, and Igbo phrases pepper the family’s loving interactions. Emezi’s direct but tacit story of injustice, unconditional acceptance, and the evil perpetuated by humankind forms a compelling, nuanced tale that fans of speculative horror will quickly devour.”

Pet.” School Library Journal 266.4 (2019): 26. Novelist, EBSCOhost, (accessed December 1, 2020).

 “Jam's parents strongly affirm and celebrate her trans identity, and Redemption's three parents are dedicated and caring, giving Jam a second, albeit more chaotic, home. Still, Emezi's timely and critical point, "monsters don't look like anything," encourages our steady vigilance to recognize and identify them even in the most idyllic of settings. This soaring novel shoots for the stars and explodes the sky with its bold brilliance.”   

Pet.” Kirkus Review (2019). Novelist, EBSCOhost, (accessed December 1, 2020).

 Awards

·        Walter Dean Myers Award for Outstanding Children’s Literature – honor 2020

·        Rainbow List: Top Ten GLBTQ Books for Children and Teens – commended 2020

·        CCBC Choices – selection 2020

·        Stonewall Children's and Young Adult Literature Award – honor 2020

·        Lambda Literary Award – finalist 2020

·        Junior Library Guild - middle selection 2019

·        National Book Award for Young People's Literature – finalist 2019

·        SLJ Best Books of the Year – selection 2019

 

Connections

·        The theme of good verses evil is prevalent in the novel. Discuss other works of art that showcase this same theme.

·        Do you think Hibiscus’ punishment was fitting for his monstrous crime? Write a persuasive paragraph describing why or why not.

·        Discuss what you think will happen to the city of Lucille now that monsters have returned. Will the city now recognize the monsters, or will they return to pretending they are gone?

·        Listen to the podcast https://teachnouvelle.com/pet/ with author H.D. Hunter to hear their take on the novel. 








A Friend for Henry


Bibliography

Bailey, Jenn and Mika Song. A Friend for Henry. Chronicle Books, 2019. ISBN 978-1-4521-6791-6

Plot Summary

Henry is a young child who is in search of a friend. His search is complicated by being on the autism spectrum even though it is not explicitly stated. The reader feels for both Henry, who desperately wants a friend and for the other children, who have their own personalities. Henry finds Katie looking at the class fish at the same time as he and they begin to forge a friendship based on mutual respect. A sweet tale of friendship and accepting others just as they are.

Critical Analysis

A Friend for Henry may be one of my new favorite books. Illustrations in the picture book are done in ink and watercolors. The facial and body expressions allow the reader to understand the characters’ emotions even when they are not explained in text. When a classmate of Henry’s disturbs his carefully arranged carpet pieces, Henry’s eyebrows raise, and his mouth is open in an oval to illustrate his frustration. When Henry is reprimanded and must sit next to the teacher, his eyes are cast down and he hugs his knees to his chest to show that he is sad, and perhaps embarrassed. Just by appearances, one is not able to infer that Henry is atypical or has a “disability” because his struggles are not on the outside, but rather, within.

As Henry and Katie both watch the class goldfish swim in the bowl, Henry begins to ponder Katie’s qualities. She smells like strawberries, she enjoys reading and even conquered the big slide on the playground. They begin to share their likes and dislikes while also finding common ground while playing with building blocks. They learn to appreciate their differences too. While Katie enjoys the big slide and Henry still does not care for it, he compromises by waiting at the bottom of the slide for her. While they both like reading, they choose different books. Katie is sweet and accepting and Henry finally finds a friend.

Review Excerpts

“Song’s ink-and-watercolor illustrations depict a multiethnic, play-centered school. The cartoon art includes many familiar classroom details and works well in conveying Henry ’s emotional frustrations. As the number of diagnosed children on the autistic spectrum increases, so does the need for informative and positive presentations such as this.”

A Friend for Henry.” Booklist 115.12 (2019): 52. Novelist, EBSCOhost, (accessed December 1, 2020).

 “It is never stated that Henry has autism, but his actions and thought processes will be familiar to readers who know someone on the autism spectrum. VERDICT A simple, upbeat story that might inspire readers to seek out friendship, and a good addition to general picture book collections.” 

A Friend for Henry.” School Library Journal 65.1 (2019): 79. Novelist, EBSCOhost, (accessed December 1, 2020).

 Awards

·        Schneider Family Book Award – honor 2020

 

Connections

·        Read We’re All Wonders by R. J. Palacio.

·        Discuss the qualities that make a good friend.

·        Have students work in groups to illustrate a friendship “how-to” booklet.

 


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Culture 6 Inclusive Literature

LS 5653-20 Genre 6 Inclusive Lit Shannon Hicks  Darius the Great is Not Okay   Bibliography Khorram, Adib.  Darius the Great is Not Ok...