Saturday, October 24, 2020

Culture 4 Native American

 LS 5653-20
Genre 4 Review
Shannon Hicks

 


 






Talking Leaves

 

Talking Leaves

Bibliography

Bruchac, Joseph. Talking Leaves. Dial Books for Young Readers, 2016. ISBN 978-0-8037-3508-8

Plot Summary

Talking Leaves is the story of one family in the Cherokee Nation. Uwohali is thirteen years old when his father returns from Arkansas. It has been years since Uwohali has seen or spoken to his father and now that he has returned, rumors flood the community about Sequoyah’s strange ways and suspicion that he is dabbling in witchcraft. As Uwohali decides to visit his father and hopes to learn the trade of blacksmithing, he soon discovers his father’s true quest; to develop a written language for the Tsalagi people. Sequoyah puts himself and his family at risk as he spends time creating the syllabary, while others plan to put a stop to his “crazy ways,” even if it means murdering Sequoyah.

Critical Analysis

Joseph Bruchac is the highly acclaimed children’s author whose work in novels, poems and short stories revolve around the Native American people, and in Talking Leaves he focuses on the Cherokee. Readers are immersed in the Tsalagi culture from the beginning pages. Uwohali explains that a Tsalagi child belongs to the mother’s clan and “…it is the women who are the heads of our households. They are the owners of the house” (p.190). The women also have to agree to the chosen leaders before they are able to take office.

Descriptions of hunting and food are also rich in cultural details. We first meet Uwohali as he hunts a squirrel with a long blowgun, and after killing it, he gives thanks for his capture so as to appease Awi Usdi, the Little White Deer, the guardian of the game animals. Later, Uwohali’s mother prepares succotash for dinner. “My mother’s blend of corn and beans—cooked with fresh churned butter, seasoned with just the right amount of black pepper—is nothing less than perfect” (p. 100). He continues to describe the tasty corn pones and sassafras tea he also enjoys. Through these descriptions, readers experience the sights and tastes of the time.

Sequoyah was away at war for over three years and has not spoken of his time fighting. Eventually he sits with Uwohali and recalls when he joined his friend Turtle Fields to fight with Sharp Knife Jackson. He openly tells Uwohali his reasons for going, one being he wanted to help his friends, and the other was to further his quest in developing a written language. The recount of the Battle of Horseshoe Bend is full of the terrors of war but also infused with funny commentary on the white man, Big Drunk, Sequoyah’s friend.

Review Excerpts

Publisher’s Weekly: “Wrenching descriptions of the 1814 Battle of Horseshoe Bend help transform an ostensibly simple story into a profound cautionary tale of what can happen without a language of one’s own.

“Talking Leaves.” Publisher’s Weekly, May 2016. Novelist, EBSCOhost (accessed October 24, 2020).

Kirkus Reviews: “Bruchac gives readers a vivid look into the life of a Cherokee boy in 1821. His extensive research is evidenced by details such as Tsalagi women's prominent social status and a survivor's retelling of the Battle of Horseshoe Bend.

“Talking Leaves.” Kirkus Reviews, May 2016. Novelist, EBSCOhost (accessed October 24, 2020).

Awards

·        Notable Books for a Global Society – selection 2017

·        Junior Library Guild Selections – middle selection 2016

Connections

·        Read How I Became a Ghost: A Choctaw Trail of Tears Story by Tim Tingle.

·        Read the picture book Sequoyah: The Cherokee Man Who Gave His People Writing by James Rumford. Compare the information in this book to Talking Leaves.

·        In the novel Talking Trees, the boys play marbles and explain how they make them from clay. Watch the short video on Cherokee marbles https://www.youtube.com/watch?v=4ox960M1034. Ask a member of the Cherokee tribe teach students how to play. 



 






Chickadee

 Chickadee

 Bibliography

Erdrich, Louise. Chickadee. HarperCollins Children, 2012. ISBN 978-0-06-057790-2

Plot Summary

This endearing story centers around a family of the Objibwe tribe. Chickadee and his twin brother Makoons are the best of friends and spend all their time together doing chores for their family. After playing a trick on a mean old man, his sons take revenge by kidnapping Chickadee in the middle of the night. As Chickadee struggles to break free and try to find his way home, his family starts a massive search for him, including his aunt Two Strike, known for carrying two “knives between her teeth, two knives in her hands, a knife in her hat and knives in her socks.” The longer the brothers are separated, the weaker Makoons falls, waiting for his brother’s return. 

Critical Analysis

Chickadee takes place throughout the Great Plains but begins in the family wigwam that was “crowded and noisy, and everyone ate and told stories late into the night” while the boys slept warmly under a fluffy rabbit-skin blanket. Erdrich paints a warm and rich mental picture of the family home and does so through cultural accuracy and without fanfare. Food is also discussed in different parts of the story, adding to the reality of the time period. “…picked through some manoomin, wild rice…She boiled the last of their meat over a small fire” p. 3 and as the family settles into a new log cabin home, Makoons and his cousin whittle fishhooks from wood and fished so they could bake them in a fire, “seasoned with maple sugar.” p. 111 These descriptions give enough detail to be interesting and yet not overwhelming the reader with superfluous information.

Chickadee ponders his namesake and wonders why he was named after a small bird. After his grandmother reminds him that small things have great power and illustrates all the ways the chickadee survives and cares for others, Chickadee finds honor in his namesake. Erdrich takes great care in incorporating the Ojibwe culture without preaching it.

The Sisters and priest found in Chickadee are portrayed as “white saviors” bent on saving the souls of Chickadee and members of the Ojibwe tribe. When the nuns stumble upon Chickadee, they even view their timing as a blessing to find the poor and filthy savage in order to save him even if “he could kill us in our sleep” p. 87. Chickadee and his family need help reuniting with one another but have their own customs that do not involve Christianity. In fact, Mother Anthony is cruel and treats Chickadee roughly and without compassion.

Many words in the Anishinabeg language are used during the story and their meanings can be interpreted from context clues and also through the use of the glossary at the end of the book. The author’s note states that Ojijbwemowin was a spoken language so the spelling in the story are done phonetically. Bizindaan, Nashke, gaawiin mashi and miigwech are all terms of the Ojibwe people that readers encounter in just the first twelve pages of Chickadee. Incorporating these terms gives the reader the ability to see and hear authentic language while drawing the reader in.

Review Excerpts

School Library Journal: “Erdrich's storytelling is masterful. All of the characters, even minor ones, are believable and well developed, and small pencil drawings add to the story's charm. The northern Minnesota setting is vividly described, and information about Ojibwe life and culture is seamlessly woven into every page.”

“Chickadee.” School Library Journal 58.9 (2012): 143. Novelist, EBSCOhost, (accessed October 16, 2020).

Booklist: “In 1866, when Omakayas’ son, Chickadee, eight, is kidnapped, his twin, Makoons, and his family take off across the cold, snowy Great Plains to find Chickadee, who escapes his captors and then encounters white English settlers, including a kind priest who wants to save Chickadee’s soul, and racist Christians, who view Indians as pagan “filthy savages.”

“Chickadee.” Booklist 108.22 (2012): 76. Novelist, EBSCOhost, (accessed October 16, 2020).

Awards

·        Scott O’Dell Award – winner 2013

·        Junior Library Guild Selection – elementary selection 2013

·        CCBC Choices – selection 2013

Connections

·        Chickadee is the fourth book in the Birchbark House series and readers follow the family though several generations. Discuss genealogy research methods and then create a family tree for Chickadee’s family.

·        Create a missing persons poster for Chickadee. What physical and personality traits would you list?

·        The illustrations in Chickadee help the reader to better understand the story. Create your own pencil illustration for one event in the book.









   House of Purple Cedar

 House of Purple Cedar

Bibliography

Tingle, Tim. House of Purple Cedar. Cinco Puntos Press, 2014. ISBN 978-1-935955-24-5

Plot Summary

House of Purple Cedar revolves around a Choctaw family and their live in Skullyville. Rose, a young Native American, discovers racism at a young age as her Choctaw boarding school is purposefully burned down and twenty lives are lost. A trip into town with her grandfather, Amafo, turns violent when he is attacked by the white town marshal. Amafo makes the decision to not fight violence with violence but takes a stand against the marshal and exposes his evil ways that have been ignored for far too long by the townspeople. Amafo seeks help from Maggie, a one-legged store clerk who has her own problems with a demanding boss and a love affair with a felon. Spirituality and religion intertwine with mystical elements of protection, especially in the form of a panther that seems to be the spirit of Rose’s grandmother, Pokoni.

Critical Analysis

House of Purple Cedar offers a balanced look into the Choctaw culture by displaying a variety of social attributes. After Amafo is hit with a board by the marshal, many of the other Choctaws want to take punitive revenge on Marshal Hardwicke and yet, because of Amafo’s kind demeanor and thoughtfulness over the situation, he decides to employ a different tactic. He wishes to expose the evil within the Nahullo man by following the path of forgiveness and approaching the situation with patience.

Humor also plays a small role in this work of literary fiction. The pastor’s children often run wild. and at one point. steal a baby Jesus from the Nativity. They bury it so they can see if He truly rises from the dead! In another scene, one of the pastor’s sons is sprayed in the face by a skunk. These comedic acts lighten the sometimes-heavier mood of social injustices that occur against the Choctaw people.

Rose’s family attends church each week and the church families rely on one another. While Bible verses are quoted and hymnal songs are sung, there are also mystical elements that appear. After the death of Rose’s grandmother, Pokoni, a wild panther is spotted during various times of danger. When Marshal Hardwicke is determined to show the Choctaws who is in charge, and mistakes the pastor’s daughter for Rose, he ties Berta Jean to a tree while he goes to find something with which to kill her. Upon his return, Hardwicke is attacked by a panther and yet Berta Jean is unharmed. On a different night, Rose is traveling with her mother and younger brother when they are seemingly stalked by a panther on their way home. After gaining safety inside their home, they realize that the panther was offering protection after they were followed by Hardwicke, who wished them harm. Rose understands that she gained “the sight” from Pokoni and can see spirits who still surround them.

As Hardwicke’s domestic violence toward his wife becomes obvious, the Choctaw people surround Ona Mae, offering her protection, and eventually an alibi. It is clear that the Choctaw people look after one another and are a tight-knit group, as seen when they lend help to Amafo and later, Ona Mae.

Review Excerpts

Kirkus Review: “Tingle writes of cultures clashing, certainly, but hatred from Nahullos (whites) like Hardwicke is counterbalanced by the goodwill of others like John Burleson, railroad stationmaster, and one-legged store clerk Maggie Johnston. Despite assimilating elements of white culture, including Christianity, Tingle's Choctaws maintain mystical connections to the land and its creatures.”

“House of Purple Cedar.” Kirkus Reviews, November 2013. Novelist, EBSCOhost (accessed October 24, 2020).

Tall tales and fabulous characters intersperse with a story that unfolds, highlighting the racial tension and violence that festers in the Marshall. Told in retrospect by Rose, this tale will transport readers back to the dusty plains where life is hard, and where racism allows acts that can scar a town, even as it brings it closer together.”

“House of Purple Cedar.” School Library Journal 60.10 (2014): 127. Novelist, EBSCOhost, (accessed October 24, 2020).

Awards

·        American Youth Indian Literature Award – winner 2016

·        CCBC Choices – selection 2015

·        Notable Books for a Global Society – selection 2015

Connections

·        Plan a field trip to the National Museum of the American Indian in D.C. in tandem with the social studies department.

·        In groups, visit https://www.choctawnation.com/history-culture and choose one aspect of Choctaw life to give a brief synopsis on for the class. Include important facts, people and two interesting facts.

·        Hymnal lyrics were often used in the House of Purple Cedar. Choose one passage that includes a hymnal and research the history of it including an analysis of why you believe the author chose that hymnal and its significance in the novel.


Saturday, October 10, 2020

Culture 3 Latinx

 

LS 5653-20

Genre 3 Review

Shannon Hicks

 The Poet X


The Poet X

 

Bibliography

Acevedo, Elizabeth. The Poet X. HarperCollins, 2018. ISBN 978-0-06-266281-1

Plot Summary

Xiomara Batista is a high school sophomore looking for her independence and voice as she writes poetry. Her strict, Dominican mother believes Xiomara should be a dutiful, Catholic daughter who should not interact with boys. One of her passions is writing poetry so when she is invited to join the “Spoken Word Poetry Club” at school, she skips Confirmation class and hides her participation. As Xiomara begins dating, hiding from church, and understanding her relationship with her twin brother, she writes her thoughts in her leather journal. Things begin to unravel when Mami finds her poetry journal and confronts Xiomara.

Critical Analysis

Xiomara is of Dominican heritage and the cultural expectations are many for her. Mami has two rules for Xiomara: she cannot date and cannot have relations, at least until she is married. Her mother speaks more Spanish than English and tries to make Xiomara conform to her ideals.

Xiomara lives up to her name, which means “one who is ready for war” p.7 and realizes it is not a Dominican name when she looks it up. It is one that is difficult for others to pronounce until she sounds it out for them, “See-oh-MAH-ruh” which irritates her because it is embarrassing and awkward. Xiomara describes herself as “unhide-able” since she is taller than her father, with “D-cups and swinging hips” p. 5 and “tight curls that spring like fireworks…a full mouth…[with] lashes that are too long” p. 48. She feels she is a mix of Dominican and the Greek monster, Medusa.

Interlingualism is sprinkled throughout the story allowing the story’s context to help with meaning. “La niña de la casa” p. 42 is one example and allows the reader to infer that Xiomara is to help with housecleaning. Xiomara dusts around the altar to La Virgen María, where her mother is often found praying and where Xiomara is forced to kneel in rice and beg la Santa María for forgiveness when she is caught kissing a boy.

Xiomara offers quick glimpses into the Dominican culture, particularly with Noche Buena when she explains that her Mami does not buy a tree but rather buys poinsettias with which to decorate. She regals tales of Latinos celebrating the night before Christmas and eating coquito laced with rum and attending midnight Mass.

Review Excerpts

Kirkus: “Poetry helps first-generation Dominican-American teen Xiomara Batista come into her own. Fifteen-year old Xiomara ("See-oh-MAH-ruh," as she constantly instructs teachers on the first day of school) is used to standing out: she's tall with "a little too much body for a young girl." Street harassed by both boys and grown men and just plain harassed by girls, she copes with her fists. In this novel in verse, Acevedo examines the toxicity of the "strong black woman" trope, highlighting the ways Xiomara's seeming unbreakability doesn't allow space for her humanity.”

“The Poet X.” Kirkus Reviews, January 2018. Novelist, EBSCOhost (accessed October 1, 2020).

Publisher’s Weekly: “Acevedo’s free verse gives Xiomara’s coming-of-age story an undeniable pull, its emotionally charged bluntness reflecting her determination and strength. At its heart, this is a complex and sometimes painful exploration of love in its many forms, with Xiomara’s growing love for herself reigning supreme.”

“The Poet X.” Publisher’s Weekly, January 2018. Novelist, EBSCOhost (accessed October 1, 2020).

Awards

·         Pura Belpré Award – winner 2019

·         Américas Award – honor 2019

·         Odyssey Award – honor 2019

·         Lambda Literacy Award – finalist 2019

·         Michael L. Printz Award – winner 2019

·         Notable Children’s Book – commended 2019

·         Amelia Elizabeth Walden Award – winner 2019

·         Indies Choice Book Awards – winner 2019

·         CCBC Choices – selection 2019

·         Walter Dean Myers Award for Outstanding Children’s Literature – winner 2019

·         Carnegie Medal – winner 2019

·         Golden Kites Award – honor 2019

·         National Book Award for Young People Literature – winner 2018

·         Junior Library Guild – selection 2018

·         Boston Globe-Horn Book Award – winner 2018

·         SLJ Best Books for the Year – selection 2018

·         Fanfare – selection 2018

·         Kirkus Prize for Young Readers’ Literature – finalist 2018

Connections:

·         Attend, host or view a Slam Poetry event.

·         Use Padlet to allow students to add their favorite poems.

·         Read Gabi, A Girl in Pieces by Isabel Quintero or Yaqui Delgado Wants to Kick Your Ass by Meg Medina



Enchanted Air


Enchanted Air

 

Bibliography

Engle, Margarita. Enchanted Air. Simon & Schuster, 2015. ISBN 978-1-4814-3523-9

Plot Summary

This memoir is told in verse. Margarita splits her childhood between California and Cuba and feels as if she has two selves, one in each country. She is most herself and at home in Cuba, while in California she is lonely and waits for the moment she can fly to her mother’s homeland. As news of a revolution begins in Cuba, Margarita is worried about her family overseas and equally concerned that she may never be able to return to the island.

Critical Analysis cultural markers pertinent to each culture

The island is lush, filled with salt air, bird songs and farmland. In Cuba, Margarita describes her grandmother’s house with “cool ceramic floor tiles on a hot day, and an open-air kitchen with roll-up walls…the old women in rocking chairs” p. 10. In the “centuries-old house, each floor-to-ceiling window is truly an opening—no glass” p. 97. Her abuelita lights La Virgen de la Caridad del Cobre in the house whenever one needs prayer. Engle’s description of the setting showcases the unique Cuban landscape.

Margarita’s American father’s side of the family tells family stories that are “brief and vague” while her mother “tells her flowery tales of Cuba” p. 28. She determines that the length of a story is dependent on immigration verses escape. Her Cuban mother is so homesick that she listens to Cuban music, sings in Spanish, tells stories about Cuba and sews tropical dresses for herself and her daughters. As the conflicts rages on, Margarita’s “Mami turns into Mom, change before my very eyes…to this strange, in-between nations exile” p.124.

In school, Margarita senses that both teachers and students are angered by Cuba and ask her, “what are you?” She feels conflicted and frustrated that she needs to explain she is both American and Cuban with paternal grandparents from the Ukraine. The teacher bends down to her level and says, “we were like Santa Claus on that poor little island…such ingratitude” p. 43 which leaves her feeling guilty and confused.

Review Excerpts

School Library Journal: “And while the narrative unfolds over 50 years ago, Engle's experiences will still resonate with adolescents and teens today. Any child who has felt like an outsider will recognize themselves in Margarita's tale. When the Cuban Missile Crisis ended and everyone's focus shifted, the author was left confused, empty and unfulfilled by her school's seemingly senseless focus on what felt like irrelevant historical events. What American child with ties to a country experiencing turmoil couldn't relate to the lingering after-effects of far off events in our era of two-minute news bytes?”

“Enchanted Air.” School Library Journal 61.5 (2015): 138. Novelist, EBSCOhost, (accessed October 2, 2020).

Kirkus: “Woven into the fabric of her childhood is the anxiety of deteriorating relations between the two countries as the Cuban revolution takes place, affecting both her family and the two countries at large. This is also the time when Engle discovers books and her own poetry as safe places to retreat to. Though it is a very personal story, it is also one that touches on issues affecting so many immigrants, as when she wonders: "Is there any way that two people / from faraway places / can ever really / understand each other's / daydreams?" As so many of our children are immigrants or children of immigrants, we need more of these stories, especially when they are as beautifully told as this one.”

“Enchanted Air.” Kirkus Reviews, May 2015. Novelist, EBSCOhost, (accessed October 2, 2020).

Awards

·         Américas Award – commended 2016

·         Lee Bennett Hopkins Award – winner 2016

·         Walter Dean Myers Award for Outstanding Children’s Literature – honor 2016

·         YALSA Nonfiction Award – finalist 2016

·         Pura Belpré Award – winner 2016

·         Notable Children’s Books – commended 2016

·         Skipping Stones Honor Awards – 2016

·         Notable Social Studies Trade Books for Young People - 2016

·         CCBC Choices – honor 2016

·         Golden Kite Awards – Nonfiction winner 2016

·         Junior Library Guild Selections – middle selection 2015

Connections

·         Locate Cuba on a map. List things the students already know (or think they know) about Cuba. Add to the list when the class has finished the novel.

·         Work with the social studies department and use the novel as a supplement to a lesson about the Cuban Missile Crisis.

·         Invite a Cuban immigrant to speak to the class about Cuba and their personal experience.



Yaqui Delgado Wants to Kick Your Ass


Yaqui Delgado Wants to Kick Your Ass

 

Bibliography

Medina, Meg. Yaqui Delgado Wants to Kick Your Ass. Candlewick Press, 2013. ISBN 978-0-7636-7164-8

Plot Summary

After Piddy’s mother falls through the crumbling lobby stairs in their New York City apartment, Piddy and her mother move to a rental house. This move means that Piddy must attend a different high school in a rougher area of town. Five weeks into the school year, rumors start that Yaqui Delgado wants to kick Piddy’s ass. Piddy has no idea what she has done or who Yaqui Delgado really is. As Piddy tries to keep herself safe and the bullying she endures a secret, the “real” Piddy begins to disappear as she tries to fit into a different persona.

Critical Analysis

In the first pages of Yaqui Delgado Wants to Kick Your Ass readers learn that Yaqui thinks the new girl, Piddy, is arrogant and shakes her bottom for attention so she wants to beat her up. Piddy reveals that she’s only had “an ass for about six months” and only recently got her curves. She chalks her ample backside to all the merengue dancing to Héctor Lavoe records.

Latina women are the focal point of the novel. Piddy mother is a Cuban immigrant, while Piddy herself is half Cuban and half Dominican, and her best friend and surrogate aunt are also Latinas. The two male characters are secondary. Piddy has a strong group of females surrounding her and who only want the best for her, even if they show it in different ways.

Interlingualism is throughout the novel which adds to the authentic Latinx theme of the story without taking over. Spanish words like, cuerpo, mi vida, así, and hasta aqui allow an English reader to interpret the meaning of the words without needing a glossary or interrupting the flow of the book.

Salón Corazón is where Piddy’s mom’s best friend, Lila works and Piddy sweeps. The Salón is the Latina gossip center where Piddy hears rumors about her father, Lila spots Yaqui’s gang and, ultimately where Piddy shares the bullying she has endured. The Salón is a safe spot for Piddy and where she gains support from the Latina women in her community, so it is only fitting that she reveals her pain to her mother here.

Review Excerpts

Booklist:Medina authentically portrays the emotional rigors of bullying through Piddy’s growing sense of claustrophobic dread, and even with no shortage of loving, supportive adults on her side, there’s no easy solution. With issues of ethnic identity, class conflict, body image, and domestic violence, this could have been an overstuffed problem novel; instead, it transcends with heartfelt, truthful writing that treats the complicated roots of bullying with respect.”

“Yaqui Delgado Wants to Kick Your Ass.” Booklist 109.16 (2013): 59. Novelist, EBSCOhost, (accessed October 3, 2020).

School Library Journal:The Latino cultural milieu adds a richness and texture that lifts this up above many problem novels. The plot points are dexterously intertwined, and the characters are distinct. A real bonus for those looking for a bullying book for older readers that is not simplistic.”

“Yaqui Delgado Wants to Kick Your Ass.” School Library Journal 59.4 (2013): 168. Novelist, EBSCOhost, (accessed October 3, 2020).

Awards

·         Pura Belpré Award – winner 2014

·         Américas Award – commended 2014

·         Quick Picks for Reluctant Young Adult Readers – commended 2014

·         Notable Children’s Book – commended 2014

·         CCBC Choices – selection 2014

·         Junior Library Guild Selection – 2013

·         SLJ Best Books of the Year - 2013

Connections

·         Read the National Book Award Winner, Jumped by Rita Williams-Garcia or The Education of Margot Sanchez by Lilliam Rivera.

·         Watch an interview with the author as she discusses her personal inspiration for the novel. https://www.youtube.com/watch?v=S-zWeWYy-gs

·         Use the Teaching Tolerance lesson “Where We Stand” with students. They will read different scenarios and examine how they would respond to ethical dilemmas. https://www.tolerance.org/classroom-resources/tolerance-lessons/where-we-stand

Culture 6 Inclusive Literature

LS 5653-20 Genre 6 Inclusive Lit Shannon Hicks  Darius the Great is Not Okay   Bibliography Khorram, Adib.  Darius the Great is Not Ok...